Sunday, 3 April 2011

Editing that novel


I’m now at that scary stage of writing where the story is all done and the plots have come to a conclusion. Now it’s for the scary part – the final edit. 

I say scary because after this it will be time to actually submit the thing. That means contacting agents and publishers.

Here are some of the things I have learnt about editing –
  • DON’T over edit. It can be easy to fall into that trap and lose the power of what you have written.
  • ALWAYS keep your work before the edit. That way if you want to change it back to how it was, you have your original and don’t end up having to resurrect it from memory.
  • LIMIT the use of words like well like, only, just, had, seem, seemed, seems (better to say something is) and adjectives with ly at the end (trust me, they get monotonous).
  • If you keep on having to say who is speaking when it’s a regular character, then you need to work on your characterisation. People should know who is speaking by how they say what they say.
  • Take time out from editing to read. Good writers need to read.
  • ALWAYS print out for the final edit and edit by hand the old fashioned way, with a pan. You will be amazed at what you miss when you do it on a computer screen. Very amazed.
  • READ OUT what you have written to yourself to make sure it reads right. You can spot things that way. I try a bit of method acting as well reading it as though as though I am that character and try and act as they do (in my head). Weird and I may be nuts, but it works for me.

Monday, 21 March 2011

What an agent does


At the moment, I am obsessed with looking at agents - mianly because I want to get one.

I came across this excellent piece in Mslexia - http://www.mslexia.co.uk/getpublished/getpublished_agents.php

Not only does it tell you whether you need an agent (not enough money in poetry and short stories apparently), but it tells you what an agent does. And, no, they do much more than take a cut of your earnings.

And, there's interviews with six very different agents who offer advice on how best to approch them.

Saturday, 19 March 2011

The blurb for Vile City

I'm working on the final edit now and trying to figure out where to send it. But, here's the blurb (here's hoping you'll see something similar on the back of a book soon) -

The women of Glasgow have real reason to be afraid.  A man dubbed ‘the Glasgow Grabber’ is on the loose and they are his prey. 

DI Waddell is the detective called in to save the day.  But, he has problems of his own. 
The paperwork on his desk is piling up faster than the knickers at a porn shoot, he’s a borderline diabetic addicted to Irn Bru, and to top it all, he’s been lumbered with a Hen Broon look-alike with glasses because his finest detective and friend Stevie is languishing in a psychiatric hospital.  And don’t even get him started on his pompous, ex-Army boss and the pain in the bahookie hack who comes round every time she smells the scent of human suffering. 

The last thing Waddell needs is the country’s biggest case to land on his lap. 

Driven by the belief that third victim, the plucky Shelley Craig is still alive Waddell is in a desperate race against time to uncover the truth behind the abductions and to save her.  To do that, he and his team must delve into the seedy underbelly of Scotland’s swingers’ scene and a sick world where women are tricked into the sex trade and traded like cattle.    

Along the way Waddell will discover one thing is true: the female of the species is more deadly than the male.    

Vile City is a tale of criminal skulduggery, set in a city Waddell once loved, but is fast growing to despise because of all the darkness he sees. 

Most read