Thursday, 16 October 2014

Is it time to say goodbye to your publisher?

Sometimes it's time to say goodbye
As I write this, I'm scared, very scared. After a thoroughly demoralising time with one of my publishers that made me ill, I decided to get the rights to my two books with them back. Moving from having a publisher to doing everything yourself and self-publishing, is very scary indeed.

Now I'm responsible for everything from cover design to editing and the thing that scares me most is getting it wrong. But, my publisher's actions left me with no choice. 

You see, I had high hopes for these books. They were the first two in a series I'd created called Die Hard for Girls. They were my babies, lovingly crafted. I'd already written the third.

Judging by the readers reports by the publisher, they shared my enthusiasm. Sadly, that didn't translate into any real effort on their part. In fact, the publisher started to charge for services that they shouldn't have. Things like converting your book into an eBook and even, at one point, putting it into print. 

I won't go into all that. It's a long and boring story - hey, even I'm bored with it. But, what I will say is that I spent hours and hours trying to get my book the marketing they promised me and getting basic things like categories fixed and my author name spelled correctly.

Example - Throwaways, my crime thriller about Glasgow sex workers being kidnapped, was listed as true life and erotica. My, was my mum surprised about that:)

Now, it's down to me to do things right. It's daunting, but invigorating at the same time. Having two covers designed was particularly exciting. 

I prefer the cover I commissioned for Hell To Pay to the original. What do you think? 


OLD COVER




NEW COVER


And, here's Throwaways...


OLD COVER




NEW COVER


For now, I'm trying to find my way, but I'll keep you up to date on my self-publishing adventure and would love to hear about yours. 

Both books are out now in eBook, but there's limited paperbacks from the publisher available. 

Tuesday, 30 September 2014

Dead Bastards by Jenny Thomson (An extract)




Dead Bastards (An Extract)

We couldn’t handle Archie staring back at us with accusing eyes, and he stank, so I covered him up with a duvet. A pink one with polka dots, which is the only spare one we have.
Scott spotted what he called the girly duvet and screwed up his face. “He’s my mate. We need to show him some respect.”
I’m irritated his pal has bled all over the new rug, yet I’m the one getting all the aggro for using a pink duvet.
Instead of coming up with an alternative to cover up his friend, Scott stood there with a stern expression on his face and shook his head. “It’s just no right.” Then his eyes grew wide and staring as he gawped at the duvet. “I think it moved.”
I snorted and shook my head. “How can it have moved? He’s deid. His stomach’s on our carpet.”
Just because Scott didn’t consider the duvet manly enough for his pal, didn’t give him the right to try to freak me out. But I looked down anyway.
At first, I didn’t see any movement, but I carried on watching. Then Archie’s feet started moving, making a tapping motion as if dancing in time to music. Before I’d seen it for myself, I thought that what happened to all those others on TV was not the same as what happened to Archie, because making that connection would open a whole Pandora’s Box of trouble.
Denial is after all a way of shielding myself from the truth. But eventually realisation dawns, especially when Archie started doing a tap dance on my living room floor. “Fuck, he’s no deid.”
While he’s doing this I realised there’s one last thing we can do for him: cave in his head.
Scott gives me his teacher-doesn’t-approve stare. “Wish you wouldn’t swear, Emma. It makes you ugly.”
As if my swearing was our biggest problem right now.
I wanted to give him an earful for chastising me like I was one of his pupils, but I’m too busy watching as dead Archie takes a hacking breath and tries to get up.
I don’t say anything. I couldn’t breathe. I simply held out my finger and pointed as if auditioning for the National Lottery’s It Could Be You ad. But this was one lottery I sure as hell didn’t want to win.



Archie flung the duvet asunder. His ash-grey face was set in a grimace that reminded me of a Mayan death mask. He looked like hell, which was no surprise considering his innards were spread out all over our carpet. But it’s his eyes that were the real giveaway that Archie wasn’t Archie anymore. He had the bluest eyes I’d ever seen, but now those eyes were gone, replaced by dead orbs, as black as coal. They lacked that spark of humanity and self-awareness, whatever it is that makes us human.
Something clicked in that brain of his. He stared at us like a starving dog eyeing someone's dinner. His mouth dropped open and rancid black sludge spilled out. Then he howled.
I thought I was going to puke.
He grabbed for my arm, his blackened teeth as sharp as knives snapping at me. I managed to sidestep his reach.
A scream shrieked out of my throat before I could stop it.

HOW TO KILL A ZOMBIE

The thing about being confronted by zombies is that we all think we’ll know what to do. We’ve all seen the movies, watched the TV shows. To kill a zombie you need to splatter the brains all over the shop with a gun. But the reality is different for those of us living in Scotland where we don’t have guns in our wardrobes or locked in a box, because we don’t keep guns, period. That makes killing the zombies damn difficult.
My boyfriend is useless as a handyman, so there’s no toolkit in our third floor tenement flat. We have no hammers, chisels, or drills to destroy the brain of the zombie who used to be my boyfriend’s best pal.
Okay, this so-called pal drives me mental, like the time he got Scott, who’s not a big drinker, steamboats one night and dragged him along to a lap dancing bar where he ended up slipping crisp twenties into Monique or Cindi’s g-string. (I know this because he kindly recorded footage on Scott’s mobile phone.) I’m still pissed about that, but I don’t hate him to the extent that I want to cave his head in. 
So when the thing that used to be Archie, struggles to its feet and lumbers towards us, arms outstretched, as if pretending to be rent-a-ghost, I snatch the first thing I can get my mitts on, an iron I’d forgotten to turn off, and I scud him across the head with it.
There’s an almighty hiss as it scorches his flesh, accompanied by the smell of burnt barbecue. The iron trundles onto the floor where it lies, scorching the carpet. I can’t believe what I’ve just done, and my hand goes limp.
Archie’s makes a throaty noise and lurches towards me. That's when Scott gets busy, bludgeoning his best mate over the head with an ugly, heavy lamp his parents had bought us as a housewarming present.
Globs of sticky brain matter splatter the wall as though someone dumped mince in a blender without the lid on and switched it to turbo, but Scott still keeps whacking dead Archie, because dead Archie keeps coming at me.
My back's to the wall. Will he not die, again?


Dead Bastards is available on Kindle and in Paperback