The moment that changed my novel - Don't be afraid to change course

Don't be afraid to change course with your novel 

It's always good to hear that people have finally got down to writing that novel that they've had held deep inside of them for years spurred on by the pandemic. Or to read about those writers who have never gotten so much writing done.

If you're like me and find yourself in the I'm struggling to write anything camp, you might feel discouraged.

Struggling to write? 

At several points over the last year, I have seriously thought about giving up writing anything at all. Because of money pressures, I have found myself working longer hours to earn money from ways other than my writing. Unless you are one of the 1% of writers who makes a very good living, writing fiction is a very badly paying trade.

It's only just recently that I have re-focused back on my work in progress, a psychological crime thriller. The reason - I've realised I need a different approach. 

Time for a new beginning

The beginning of the book has to be rewritten and rejigged to make it the compelling read I want it to be. The type of book I love to read which I hope to write.

The moment of realisation came for me when I witnessed a distressing scene where a woman was staring at a couple's daughter who looked about 9 years old. This was in a supermarket and the woman's staring was such that the mother noticed it and pointed it out to her husband who angrily spoke to her. 'What are you looking at? Stop staring at my daughter like that.'

In usual circumstances, if someone spoke to you like that and everybody turned round to stare, you would be mortified and shuffle off away from public scrutiny. But this woman kept staring. It was as if she was transfixed and I could see the man getting angrier and advancing towards her.

Thankfully at this stage another lady who appeared to know the woman ran up to her put her arm around her and led her off.

I later found out from someone who worked in the supermarket tills that she knew the woman who had been staring and her daughter had been abducted by her husband 2-years ago and taken abroad. Apparently, she still kept seeing her child everywhere.

'I think she thought that little girl was her daughter,' the check-out assistant told me. 'She's mistaken other children for hers too before.'

Good fiction comes from truth

As well as feeling heartsick for that poor woman, the whole thing made me think that the novel I was writing that had a similar theme of a missing child, needed to be changed.

What if after witnessing such a scene and finding out the reason behind it, someone offered to help her find her child? And so I decided to totally restructure the start of my novel.

Will it work and make it the gripping read I want it to be? I hope so. It's in witnessing human moments like hers that you realise reality is often stranger than fiction.

I also hope, that one day very soon, that poor woman is reunited with her child.

Writers without photo ID shouldn't submit

Over the years, I have seen some strange shall we say submission guidelines, but this one from Hawkshaw Press is the strangest one I have ever seen.

They only want writers over 40 years of age for submissions which is fair enough. Experience can make people better writers as they have more knowledge to draw upon and potentially wisdom. Or, at least that's the theory. 

But the requirement they have set is one that millions of people like me won't be able to fulfill for financial and sometimes ethical reasons (like believing cars and planes cause way too much pollution) - they want photo ID. 

To me that means a passport or a driving license. These are after all the only photo ID some people have as we didn't have the introduction of identity cards from the Westminster government - yet. 

Some people may have a work ID that is photographic but for most people this requirement for photo ID is out of their reach and yet another barrier to getting underrepresented writers published. 

What will writers be asked for next - DNA samples, fingerprints? 

Rip it up and start again - your novel might be better for it

There's nothing worse than working hard into the wee small hours, making yourself so tired you don't just have grey bags under your eyes you have saucers, only to get two thirds of the way through writing your novel and finding yourself shaking your head. 

You know something is wrong with your novel. Thankfully you realise what it is.

You might have taken the wrong turn in the plot or given a character way too much of the story that they haven't earned (if you've watched the 3rd season of 13 Reasons Why and met the new narrator Ani you'll know what I mean).

Of course you could ignore this feeling in your gut that your book isn't quite right. Then you could end up sending it to a critique agency when publishers and agents turn it down, which is very expensive, only to be probably told what you already knew - that a part of your book wasn't working. 

Something you knew already but couldn't face acknowledging. 

Getting over the finishing line isn't what it's all about

Instead of spending money you probably haven't got ask yourself this (I look like I'm shouting but I  need to be reminded of this too) ask yourself this   -

IS IT BETTER TO GET THAT BOOK WRITTEN THAN IT IS TO GET IT WRITTEN TO THE VERY BEST IT CAN BE?

Sure, getting that novel finished is your goal, but you want it to be as good as it can possibly be so it gets a publisher or you get an agent, or you self-publish a good novel. 

That may mean either cutting swathes of text or even ripping it up and starting again. 

Be brave. Good writing is fearless. It often comes from knowing when to reach for that delete key or recycle bin.

Keeping track of your novel's characters

Writing a novel series is a balancing act

One of the most important and time consuming parts of writing a series of books based on one character can be keeping track of the continuity. I discovered that to my cost when writing my Detective In A Coma series of books featuring Detective Inspector Duncan Waddell and his comatose sidekick DC Stevie Campbell. 

Unfortunately I hadn't prepared myself for making sure I maintained contiuity in my characters, which often led to me having to trudge through hundreds of pages of text to make sure everything I'd written was consistent. 

I've just finished writing book 4 Vigilante City and with the weird way that publishing works book 2 in the series Cannibal City will be published soon.
Keeping track of the characters and what's happened to then in previous books is tricky when you don't have a system in place.  

That's why I have my trusty notebook - an old fashioned one you write in - with pages devoted to every one of my main characters and plenty of space left to add in new details.

I'm using a notebook because I can carry it around with me, but I also back up the details online using file storage service Dropbox, my email and I have it in a Word document. 

Hey, as writers we can never back up too much, can we?

What should be in your notebook

1. Name and brief outline of the character.
Include full name of your characters including middle names and nicknames if any, age, general appearance.

2. Personality - What are they like as a person?
What do they like, what interests them, how do they treat others, what makes them laugh, have they any phobias/hang ups, are they dour or do that have a good sense of humour etc...

3. Personal details - are they married, divorced or single, do they have kids (if so what ages are they?), do they cheat on their partner, do they have any health problems etc...

4. Major events they've gone through. This would usually be things that happened to them in your books or that you've referenced in your books. 
For example, my sidekick detective DI Waddell has been able to have two-way conversations with his best pal and colleague Stevie Campbell, but nobody else can hear him. I had to establish in my notes when Stevie first spoke to him.

It might seem like you're spending too much time doing this, but trust me, it will turn out to be a major timesaver later on when you're not having to trawl through hundreds of pages of text just to find out what colour of hair a character has.

Tip - Have a photo of each character - some writers find it easier if they have a photograph of how their characters look pasted into a notebook, or pinned to a noticeboard on the wall or on their computer desktop. 

It can be a picture of anyone including of a celebrity or a generic photo cut out of a magazine.

If you find yourself losing your character you can look at it and it might put you back on track.

5 ways you know you've written your characters well

Characters. Every great novel or work of writing needs them. Without good characters things fall flat regardless of how well something is written.

But, how do you know readers will find your characters interesting enough to keep on reading?

1.You find yourself yelling "there's no way he/she would do that."
You know them so well.

2.When you're writing a scene you find yourself getting into their head space and hearing, smelling and feeling what they do.

You're not there with them - you are them. At least whilst you're writing the scene. We're not talking multiple personality disorder here, but it might feel like it.

3.You find yourself talking about them in every day conversation as if they're a friend of yours or even a family member.

4.You start placing them in your favourite novels and TV shows relishing how they would react if they met your favourites in that book or TV show.

5.You can place them in any scene and you know how they will react. You don't have to overthink it.

One lost girl. A bus full of secrets -'My new WIP

One lost girl. A bus full of secrets - My new WIP
#amwriting