Why every writer should have paper plates

NOOOOOOOOOOO



If you're a writer, you better get used to the word rejection because it's a fact more people will say no to you than will say yes. Whether it's magazine editors, publishers or agents, you will get a heck of a lot of people saying no. So, if you're going to be a writer you need some coping strategies.

Today I had a piece of work turned down that I had high hopes for. My characters weren't just characters, they were alive and when I put them in perilous situations I worried about them. Like a reader I was eager to know what happened next. Signs that the work was good. At least that’s what I thought.  

Then I got a 'no' from the first publisher I approached and my head's down and I feel like a complete failure; doubting myself and my writing.

Whenever you get a knock back other writers may tell you to soldier on, get on with the writing. Good advice, but only once you've lost your tight grip on despondency that makes you feel like you’re choking, because you need to get it out of your system. You need a break. You've worked hard. You may not have got the result you wanted, but it's not through lack of effort.

Get on with my writing? I felt like throwing my laptop and notepads out of a window and jumping after them. Instead I went to a place out the way and smashed plate. And that's why I buy paper plates because there aren't many ordinary ones left.

There are other strategies to cope with getting a no that I use -

1. Re-read the rejection. Is there anything good you can take from this no? Was there anything positive said about your work? Was it 'well written?' Did the respondent ask to see more of your work - they wouldn't say that if they didn't mean it and your work was only fit for the trash.

2. Take a step away from your writing for at least 24hours. Read a book by your favourite author, watch mindless telly, play a game - hidden object or shoot up games are best. I play Grand Theft Auto and my goal is to go crazy with the flame thrower.

3. Look at past successes. Leaf through your copies of published work. Think back to the day you got that first yes and how it made you feel.

4. Write a blog post like this one to get your feelings out. Hey, it worked for me.

The thrill of getting it written down

At the moment, I’m completely wired; like I’ve drunk tonnes of cans of Red Bull. I’ve been working into the wee small hours on a piece of work for the past few weeks and finally it’s time to send my baby off into the world.

Before the fear begins as I wait for a response, I’m just so hyper that I’ve got it finished. Exhausted but hyper.

This would seem like a good time to have a rest, get lost in someone else’s books (reading is my favourite leisure activity), but instead I’ll get stuck into writing something else because this is the best time to write: when you’re psyched up by what you believe is work well done and haven’t had a no. Yet.

Leave the writing to a time when it feels like all you’ve been doing is getting doors slammed in your face and told you're not worthy, and it will be like trying to go the wrong way up an escalator.

Why you need to care about your characters

I currently know there's…

A naked man tied to a bed with a ball in his mouth as a femme fatale with murder in her heart struts up and down the room deciding what to do to him.

A detective who thinks he's going nuts because his pal, who's been in a catatonic state since he was stabbed multiple times by a broken bottle, has begun talking to him something which only happens when no one is around.

A woman and her boyfriend who has just got into a car with Britain's first white suicide bomber who's chosen the wrong day: the zombies have arrived.

No, there's no need to call the authorities. These people aren't real; they are characters in novels I'm writing.

Characters they may be but they have become real to me. I care about them. I care what happens to them, which means when I leave them in a precarious situation I want to see what happens to them. I want to see how they get out of the mess I put them in.

If you're starting to think your characters aren't good enough, ask yourself: do I care about them? If the answer is no then maybe it's time to rip them up and start again because if you don't care about your characters why would anyone else?