My Nightmare with John Hunt Publishing

You might as well burn your books than be in publisher hell.

I was advised by other writers not to write a blog about my experience with John Hunt Publishing.

"It could ruin your future writing career," a writer friend said.

"It might make you sound like you're a nightmare to deal with," said another. 

Of course I thought about it. These guys know what they're talking about. They were concerned about me. But, in the end I decided that I had to write this blog because other authors deserve to know what they might get into if they sign up with this publisher. And how can they know anything if authors don't share information? 

Besides, I know the points I make are valid. I didn’t just write the books and sit back and expect them to sell. I put my heart and soul into them and worked 100-hour weeks to promote them. I felt let down that I was the only one trying to sell my books. At times, I felt like John Hunt Publishing were sabotaging me.

When John Hunt Publishing offered me a contract, I looked around the web for information and found very little. I wish I'd known then what I know now because my relationship with them was a nightmare. 

It started off well enough. Their readers' reports were extremely positive. Comments like "what's not to love here" and "this could sell in the thousands." And, I had a right to have high hopes. I’m an award-winning writing and have been writing for 20-odd years.

Then the reality started to bite and what I found is the most disappointing experience I’ve ever had in 13 years of getting books published -

JHP make a big thing about their marketing and their author database, both of which sound impressive, but they didn't deliver.
- The database had important details missing like email addresses, phone numbers and contact details.

- You had to pay for any real marketing - You had to pay for any marketing that went beyond sending automated press releases that are cobbled together with the words authors put in their proposals. Yes, in my case and many other authors, the press release was generated word for word by the words I put in the proposal. The way the online system worked, you could see the proposals authors inputted and their press releases. There was no effort on the part of the staff. In my case, a basic spell check wasn't even done. This marketing cost 150 for 6 hours of work, which seemed to involve them doing pretty little.

Valuable marketing and promotional opportunities were wasted
For example, over a number of months I worked towards getting my book Hell To Pay featured in a top newspaper with a 250, 000 readership. 

I knew 2 weeks in advance that my book would be featured and told the marketing department. I stupidly thought because the book was set in Glasgow and the newspaper was based in Glasgow that the publisher would contact the big bookstores in the city, including Waterstone’s and say, "Hey, one of our books will be featured in the country's bestselling newspaper, would you like some on a sale or return basis?"

They did absolutely nothing and wasted the opportunity. Yes, free publicity that money can't buy, that they were notified about two weeks in advance and they did nothing. 

I felt demoralised. That my time had been completely wasted. That my publisher they didn't care about whether my book sold or not. 

I was contacted by several people who saw my book and told me they tried to buy my book in a store and it wasn't for sale.

John Hunt Publishing missed a golden opportunity to sell more books.

Note - I could have contacted bookshops myself, but my royalty on paperbacks was 10 percent and the publisher's was 90 percent. 

There was a catalogue of errors in the book listing.
They wrongly spelt my surname on all the book sites and I had to get it changed myself. That was made more difficult because it was the publisher who were meant to make changes, not the author.

They didn't even check sites had my books and others correctly categorised.
For instance, Throwaways, my novella about murdered Glasgow sex workers was listed as erotic fiction and also as true life, which was news to my family.

There was a pattern of disrespect, pithy and aggressive behaviour from staff.
They have a closed online forum for authors and after repeatedly being ignored about certain issues, I started to post on the Facebook page - a few posts, written in a friendly way - that's when without a word I was kicked off FB and the JHP forum with no explanation after one of the head honchos at the publisher accused me of "aggressive and bullying behaviour." I asked others on the page if they thought that had been the case and nobody did.

Seven authors sent me a message saying that their experience of JHP had been very poor and they wanted their rights back. Eventually, I was given ALL my rights back, but only because I suspect they wanted rid of me. 

When I politely asked why my books imprint didn't appear on their fiction blog alongside a few others, I was told my imprint was MBS even although over half the books were fiction and my books were CRIME FICTION.

When I asked why certain marketing tasks weren't done, I'd get answers that were more "go away" than "we want to sell books."

Contracts offered were often contributory meaning you were paying to get published. Cue alarm bells.

Before they signed me up, they made it sound like they only asked for contributions when the book in question was niche, but once I was allowed onto the forum I discovered there was a very high amount of authors who'd paid huge sums, despite what the publisher claimed. And those books were far from niche. One was even entered for a fiction award by the publisher. 

Many authors queried their contracts on the online forum and those contracts seemed to average 2-3 thousand pounds. Note - that was just for editing. They also paid for marketing. One author I know spent over £4, 000 in total.
To me, that's a publisher taking advantage of an author's dream at a time when very none of the big publishers accept contributions unless you have an agent.

They charged for your book to be converted into an eBook.
No, I'm not kidding. Both my novellas cost around £60. It was deducted from royalties.
NO LEGITIMATE PUBLISHER SHOULD CHARGE TO CONVERT YOUR BOOK.

Later on, they came up with the bright idea of charging £100 to put your book into print. Yeah, really. After complaints they decided not to go ahead.

In conclusion -
- I believe John Hunt Publishing take advantage of the lines being blurred between vanity presses and self publishing. They charge for many authors’ services like editing and marketing.

- They should tell you BEFORE you submit the initial query that they may charge you for services that every other traditional publisher does gratis. Things like editing, proof reading and marketing that goes beyond sending automated press releases that are cobbled together with the words authors put in their proposals. Yes, in my case and many other authors, the press release was generated word for word by the words I put in the proposal. 

The way the online system worked, you could see the proposals authors inputted and their press releases. There was no effort on the part of the staff. In my case, a basic spell check wasn't even done.

- Many awards are not open to people who paid towards the cost of being published, which many authors did. Because the lines between self-publishing and vanity publishing are so blurred, authors who paid towards the cost of their books being published often thought that they would still be considered to be traditionally published and could enter these awards. 

Truth was, they were ineligible.

What have I learned?
1. If a publisher has contracts where you contribute financially (on any level) avoid them like the plague. They're a vanity publisher.

2. If a publisher talks about their wonderful marketing, have a look at what they actually do. Do they have a strong social media presence? Do they have a list of blogs who review their books? Do they have readers groups - something JHP promised on their home page, but never produced?

3. If they charge fees for eBook conversion, they're a vanity publisher. 

I was charged for both my books. A genuine publisher shouldn't charge you a penny. A vanity publisher will.

4. If a publisher charges you a penny for marketing/promotion, avoid them - JHP did very basic marketing. So basic in fact, that press releases were simply lifted from authors and in my case, not even given a basic spell check. The very same publicists who did the promo for books wanted £150 each time to do 6 hours of publicity. That included things that most publishers did as a matter of course. A genuine publisher shouldn't charge you a penny. A vanity publisher will. Note - before I signed my contracts I didn't know they charged like this.

In conclusion, I would advise anyone to self-publish rather than sign up with John Hunt Publishing. Before you know it, like many of their authors, you could end up with a huge dent in your bank balance as you pay for editing and marketing and promotion. All things a traditional publisher should be providing for free.

Thankfully, although they published Hell to Pay and Throwaways, I didn't give this bunch a penny and when I self-published the books, I sold 6 times more books than they ever did.

Note - this is my experience with John Hunt Publishing. Other authors may have had a more positive experience.

A sneak peek from Don't Come For Me

Prologue

You're in the bathroom late at night when you hear a noise coming from outside the door, and there's this tiny part of you, the product of centuries of genetic programming designed to make you fight or flee, that thinks there's someone inside your house. 

Somebody waiting for you outside that door.

Panic sucks the air out of your lungs.

Your dread of what's outside that door places an icy hand on your shoulder.

All kinds of scary thoughts are going through your mind. Different permutations of what's outside the door.

Has someone broken in and they're going through your stuff?

Is someone there determined to do you harm as they have in the past?

There's this tiny voice inside your head telling you not to be so silly. You're imagining things. After what happened before that's understandable, but you can't let fear rule your life. Be the boss of you.

When you open that door, you'll feel ridiculous when you see that nobody's there.

There is no bogeyman waiting.

You open the bathroom door, confidently to prove you don't care; that you've mastered your irrational fear. Not tentatively like you want to, so you can turn on your heels and slam the door shut. Just an inch so you can get a peek at what's out there.

In a few seconds, you're going to be laughing about this. To feel a fool.

With your heart beating in your ears, the door swings open and right away, you see that you were right to be worried.

Both chairs are upturned in the living room and the TVs been pulled out of its brackets. Your boyfriend's nowhere to be seen.

You go into the kitchen and there's a knife on the floor and a pool of blood. You're trying to take all this in as your heart thumps against your breastbone on stereo.

That's when the police turn up, threatening to break down the door if you don't open up.

Surveying the scene you know that they're gonna think you killed him...

My name is Nancy Kerr and I'm not a murderer. Since my parents were murdered I've come close a few times, but I've never done the deed.

I did tattoo the world RAPIST across the stomach of one of my parents' killers. But to me that was justified, righteous revenge because when I walked in on those monsters who’d killed my parents, they raped me and left me bleeding to death on the kitchen floor of my childhood home. What happened caused me to have a breakdown and I ended up in a psychiatric hospital where I was in the land of the zombies for fourteen months. I have no memory of most of what happened there.

But, hey, that's another story.

Accused of my boyfriend Tommy's murder, I need to prove my innocence. It won't be easy. Confronted by the same scene as the police, I would think I was guilty too. And, Tommy's still missing, presumed dead and murdered by me.

The clock's ticking. 

DON'T COME FOR ME IS COMING SOON...

Why every writer should have paper plates

NOOOOOOOOOOO



If you're a writer, you better get used to the word rejection because it's a fact more people will say no to you than will say yes. Whether it's magazine editors, publishers or agents, you will get a heck of a lot of people saying no. So, if you're going to be a writer you need some coping strategies.

Today I had a piece of work turned down that I had high hopes for. My characters weren't just characters, they were alive and when I put them in perilous situations I worried about them. Like a reader I was eager to know what happened next. Signs that the work was good. At least that’s what I thought.  

Then I got a 'no' from the first publisher I approached and my head's down and I feel like a complete failure; doubting myself and my writing.

Whenever you get a knock back other writers may tell you to soldier on, get on with the writing. Good advice, but only once you've lost your tight grip on despondency that makes you feel like you’re choking, because you need to get it out of your system. You need a break. You've worked hard. You may not have got the result you wanted, but it's not through lack of effort.

Get on with my writing? I felt like throwing my laptop and notepads out of a window and jumping after them. Instead I went to a place out the way and smashed plate. And that's why I buy paper plates because there aren't many ordinary ones left.

There are other strategies to cope with getting a no that I use -

1. Re-read the rejection. Is there anything good you can take from this no? Was there anything positive said about your work? Was it 'well written?' Did the respondent ask to see more of your work - they wouldn't say that if they didn't mean it and your work was only fit for the trash.

2. Take a step away from your writing for at least 24hours. Read a book by your favourite author, watch mindless telly, play a game - hidden object or shoot up games are best. I play Grand Theft Auto and my goal is to go crazy with the flame thrower.

3. Look at past successes. Leaf through your copies of published work. Think back to the day you got that first yes and how it made you feel.

4. Write a blog post like this one to get your feelings out. Hey, it worked for me.

The dreaded author photograph

The updated version of my bullying book is out and I hate the author picture. I wanted to look authorative, stylish, approachable.

Instead I look like none of those things. My head is so big I look like a Gonk* (a small, furry soft toy).

I read somewhere that readers like authors to look friendly, so you should smile in the picture. I tried that and ended up looking like a grinning buffoon.

I took the smile down a notch and realised I looked like the kind of woman who buried men under her patio. 

Not my author photo

Speaking to other writers I know I’m not alone in dreading that author picture.

The autors who actually seem to like theirs, or, at least feel okay about theirs, have:

1. Gotten their photo done professionally.
2. Or been born looking like a model.

How did my photo turn out? Guess you’ll have to buy the book.

But, I will tell you one thing – the picture was taken on a bad day and from my bad side not my good side. And, oh, since it was taken I have morphed into Jennifer Aniston.

To read more about Gonks, visit the Gonk Appreciation Socity on Facebook.

Success at last!

Just got an email saying that Pulp Press want to publish my first novel, a pulp fiction revenge book provisionally called How Kirsty Gets Her Kicks. I'm over the moon. It will be published in August 2011.

It's about a one legged barmaid who ends up killing a lech in the seedy bar where she works and has to go on the run with a sack of gangster's cash and a hot gun. 


What really makes me happy about this is I absolutely loved writing this book.  I had so much fun. Maybe because I thought it's about time that there were books where women wern't just window dressing or victims or the detective solving a crime who's weighed down by childcare arrangements

I know there's a long road ahead with editing and what not, but I'm so excited.